In my thesis (Principles of architectural and planning organization of cultural centers in Amman, Jordan) I pinpointed the components for creating the ideal cultural center based on the investigation and analysis.

As many levels of comprehension as possible must be attained, including those covered by the research, the fundamentals of architectural design, and the types of cultural buildings.

The first step in creating favorable conditions in every community is to be aware of the current circumstances that define its challenges. It is crucial for social interaction between artists and the public since the urban spirit has emphasized the importance of a more significant share of creative, cultural, and cinematic products.

A designer who manages the use of space to develop appropriate land uses can quickly advance in clever planning and apply character logic to their environments. The location of the cultural center must be planned such that it considers the local geography and climate. A prominent structure with ideal circumstances must be planned to stand out as a symbol in the city.

Cultural institutions worldwide are being asked more and more to foster public participation to help address various societal issues (political disinterest, exclusion of minorities, increasing inequality, and lacking social cohesion). It is common practice to use the word "participation" in general and imprecise ways (Arnstein, 1969; Carpentier, 2011; Cohen and Uphoff, 2011/1980; Cornwall, 2008), and little is known about the conceptualization, development, and evaluation of participatory processes by cultural organizations. This paper shows that different kinds of involvement can be designed, developed, understood, evaluated, or prioritized at cultural centers and other institutions by constructing typologies of forms and effects of participation and types of cultural centers.